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Sunday, 3-Jun-2012 23:05 Email | Share | Bookmark
Looking for a Quality Guitar? Consider Martin Guitars

The Quality Roots of the Martin \nFrom 1833 until the present day, Martin guitars have been the things of legend. The stern, disciplined descendants of C.F.Martin have been faithful to his standard guidelines to a significant degree. A ton of time plus function still goes in the generating of a Martin guitar, just as it did in 1833. The mystery is how the Martin Company survived for 177 years, whenever so many guitar brewers didn't. Christian Friedrich Martin appeared in New York, from Germany, in 1833. He had been an apprentice to the famous luthier, Johann Stauffer, however, had several guitar design ideas of his very own. He did create Martin-Stauffer guitars however, by 1838 had developed a only Martin guitar with a paddle-shaped headstock, rather than the usual "f" shaped one. Then he teamed upwards with additional guitar designers, both most notable being John Coupa plus Charles Bruno. In 1860 the Martin 1-28 came to be.Early standard control established in the Guitar Industry by Martin \nBy the 1870's the 00 was introduced. Being a greater guitar with a big sound, it soon became quite popular! This was just as Sears plus Montgomery Ward were emerging as giant retailers, providing the means to get Martin guitars to the masses at a reasonable cost. The only true competition came from the Chicago-based Washburn Company which had split off from the Ditson Guitar Company. The amazing thing about Martin was which, starting in 1898, every guitar they made was given both a manufacturing number as well as a serial number. This became important, as report keeping plus standard control was now taken quite really by the wealthy collector. As Mike Longworth puts it so aptly in his book MARTIN GUITARS:A HISTORY, 'this means that your grandpa's aged Martin guitar had a birthday'.Martin Falls Behind \nIf the Martin Company had a failing, it was in their advertising. C.F. Martin Sr., that passed away in 1873, was excelled by his son, C.F.Martin Jr., who had been involved in social plus family responsibilities. He let the business coast on its' laurels. The standard was still quite high however, so was the price compared ot additional firms that had come on the scene. The company argued it took advantageous hardwood plus lots of time to develop a fine guitar, however, rivals like Lyon plus Healey were generating inroads. They used catchy advertisements plus big catalogs to bring customers. Their Washburn brand was advantageous however inexpensive, so that they became a principal force in the decades to come.Tropical Winds of Change Save the Martin \nThe third Martin, Frank Henry, visited the Nazareth, PA, factory in 1888 plus realized it had to improve. He introduced bowl-back mandolins in 1895 plus published a catalog for guitars in 1898. Frank Henry Martin, however, didn't have a sparkle for salesmanship, coldly reasoning with the public which a 'superior guitar should cost more however, was definitely worth it'. This was true,of course, however, the fresh design of fancy,cheap competitors was taking a toll on their important thing.In 1915 a lifeline came by means of Hawaiian guitars that have been becoming a craze. Martin began manufacturing of these in 1916, building them from Koa hardwood so that they might be powerful sufficient to manage steel strings. Then ukuleles followed, along with flatback mandolins. The day was saved plus by 1920 the Martin Company was powerful when more. The mysterious 'perfect timing' of certain members of the Martin group was to become element of guitar tradition.Banjo-Style Innovation Inspired New Rocking Design \nBy 1929, the fad for the ukulele plus mandolins was over. At the suggestion of 4-string banjo players, Martin tailored a guitar with a less body as well as a longer back, adding two more frets to the existing 12 frets. Orchestra models plus Dreadnoughts were soon in demand. The big rosewood-bodied guitars commanded attention. Herringbone D-28 plus D-45 models might soon become collectors items. Movie star Roy Rogers performed a Martin 1930 OM-45, that sold for a lofty cost of $260. Many guitars in that day sold for about $25 to $60. Many musicians bought the cheaper models but still performed a advantageous tune! The less expensive guitars kept Martin in organization while The Great Depression wiped away almost all of the competition. Martin had solved the superb secret of survival, not even realizing how advantageous their standard had become!\nguitare takamine

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